Karl Gustav Berndal

Already in 1855, Berndal changed to the older subject and after Hendrichs' departure in 1864, he became his representative in the heroic roles.

In 1857, he gave guest roles in Leipzig and Mannheim, later also in Cologne, Magdeburg, Königsberg etc., everywhere with great recognition.

[2] In the last years of his life, Berndal's voice was so attacked that his playing suffered from it and he could give his characters less nuances.

The red granite pillar with cross-crowning has a bronze medallion with the portrait of the dead man in profile on the front, a work of Fritz Thomas.

[4] His sonorous voice, supported by a perfect, relaxed clarity of pronunciation, was able to adapt to the most varied situations.