In 1970, Karl Winter created the altar as a block of Estremos marble with apparently ornamental motifs based on emerging vegetative forms in a symbolic arrangement of numbers - three (trinity, divine), four (relating to the "whole" globe) and seven (perfection, completeness) .
"The simple bronze door of the tabernacle was changed ten years later at the request of the pastor, and the Eucharistic symbols - ears of corn and vines - worked in ivory have been added even if it was against his concept.
The "housing" for the figure of Mary or the Stele made of the Italian stone "Pepperino rosso" with inlaid flowers from "Estramos", created in 1975, shows the rose bush ornamentation and thus takes the theme of "in addition, the Eucharistic symbols - ears of corn and vines - worked in ivory were added, even if it was against his concept.
The "housing" for the figure of Mary or the Stele made of the Italian stone "Pepperino rosso" with inlaid flowers from "Estramos", created in 1975, shows the rose bush ornamentation and thus takes the theme of "in addition, the Eucharistic symbols - ears of corn and vines - worked in ivory were added, even if it was against his concept.
The "housing" for the figure of Mary or the Stele made of the Italian stone "Pepperino rosso" with inlaid flowers from "Estramos", created in 1975, shows the rose bush ornamentation and thus takes the theme of "Rosa mystica ".