Kasper Twardowski

[2][3] Kasper Twardowski debuted in 1617 as the author of a 12-part poem entitled "Lekcyje Kupidynowe" (Cupid's Lessons), modelled on the Latin "quinqua linea amoris" describing five steps to love from gaze, talk, and touch, to kiss, and intimate union.

One of his most important later achievements was The torch of God's Love with the five arrows of fire ("Pochodnia Miłości Bożej z piącią strzał ognistych") published in 1628 – a fervently religious piece of considerable significance in the genre of Polish "metaphysical poetry" of the 16th–17th century.

His aesthetics are now considered a part of Counter Reformation particularly relevant in the contexts of artistic legacy of the Jesuit Societas Iesu regardless of the fact that the poet promoted only his own personal road to salvation, and remained neutral in the matters of religious controversy, away from the typical of his own period Catholic confrontations with Protestantism.

Hernasa ) all three of Twardowski’s major works including The Cupid's lessons, A boatful of young people, and The torch of God's Love, are interpreted as the unintentional, though consistent literary trilogy, demonstrating the development of the poet through different life-stages.

The most important modern interpretations of the artistic legacy of Kasper Twardowski's work as part of the Baroque period in Poland, are provided by researchers: Eugeniusz Trzaska, Ludwik Kamykowski, Ryszard Montusiewicz, Radosław Grześkowiak, Krzysztof Mrowcewicz and Adam Urbanik.

"Wenus i kupidyn" ( Venus and Cupid , 1600s). Oil painting by Albani removed from Poland by the Nazis during World War II. Never seen again