Katherine Fisk

[5][6] From 1892, she was particularly successful in London where she performed at St James's Hall (on this occasion, Musical News wrote "Mrs Katherine Fisk [...] has a magnificent voice, an artistic method, and a graceful presence; qualities which will, doubtless, secure her as many admirers here as they have done in America"),[7] the Crystal Palace, and the Royal Albert Hall.

[9] In May 1894, together with Electa Gifford, Max Bendix, and Whitney Mockridge, she assisted George Ellsworth Holmes during his farewell concert at the Central Music Hall in Chicago.

[11] In the late 1890s, Fisk settled with her husband in New York where she gave a number of recitals, singing with the Metropolitan Opera company.

[12] In May 1898 she assisted John Hyatt Brewer in an organ recital part of the Brooklyn Institute series given at the Lafayette Avenue Presbyterian Church.

[14] In June 1898 she presented the essay "The Voice as a Painter of Emotion" at the congress of musicians held in Omaha, Nebraska, under the direction of Homer Moore and under the auspices of the Bureau of Education of the Transmississippi Exposition.

[17] On this occasion, the music critic of The Standard Union, commented: "Mrs. Fisk, who sang songs in English, German, French and Scotch, pleased her admirers.

Three other clever vocal pieces arranged for this well-known singer are "Oh That We Two Were Maying" by Ethelbert Nevin, "The Dandelion" by Chadwick and "Auf Wiedersehn" by Arthur Nievin.

Duss, Lillian Nordica, Katherine Fisk and Nathan Franko are artists whose fame entitles them to the hearty support of the musical public.