[1] York Bowen included some of her songs (sung by his wife Sylvia) in an Aeolian Hall recital on July 4, 1916,[2] and he performed her short piano piece A Dance in Spring at the same venue on 14 March 1919.
[6][7] As a composer, her Minuet, Gavotte and Fugue for small orchestra was included in a Patron's Fund rehearsal at the Royal College of Music with Adrian Boult in 1923.
Christopher Foreman picks out the two suites, Versailles (1920) and Greek Myths (1921), which he describes as "attractive pieces, well conceived for piano, with a polished feeling for harmony, akin to Bowen".
[10] For the 'Symposium' series (edited by Gerald Abraham) she wrote chapters on the keyboard music of Handel, Schubert, Schumann and Grieg.
In The Times, Derek Melville talked of her formidable knowledge of languages, and wrote: "her diminutive stature seems to have acted as a spur to her achievement and she commanded a rare intellectual authority".