Kaleche soon realizes that afterlife is not only fun and games, every member of the group seems to still carry a burden from their previous life.

She questions the reclusive painter King, formerly a priest who died in a post election violence revenge attack.

Kaleche learns about a strange condition which renders the lodges residents flesh cold, white and lifeless.

Later that night, Kaleche finds King, outside his cottage, burning his possessions, his skin white from head to toe and his eyes blackened.

The first module, a classroom-like "mini film school", deepens and expands the skill set and cinematic language of already practicing African filmmakers.

Treasuring African Stories and wanting to enable talented filmmakers from the continent to reach a larger number of viewers is what One Fine Day Films are working for.

Andrew Mungai, also a graduate of the One Fine Day Film Workshops was chosen as the cinematographer and many more crew members could be recruited out of the many trained departments.