The organization was prominent in the defense of Republican Spain during the Spanish Civil War and in providing financial and moral support to writers in need in the United States and internationally.
[2] In an article in the magazine of the IURW, International Literature, League of American Writers member Alan Calmer noted that the new organization sprung from a decision made at the 1934 convention of the Communist Party's John Reed Clubs: The chief malady of the revolutionary culture movement was characterized at the second national conference of the John Reed Clubs in 1934 as the old malady of sectarianism.
[4]The convention call for establishing the first Congress of American Writers declared that capitalism was rapidly crumbling and sought to gather the "hundreds of poets, novelists, dramatists, critics, short story writers and journalists" who recognized "the necessity of personally helping to accelerate the destruction of capitalism and the establishment of a workers' government.
"[5] The founding convention of the League was called to order at the Mecca Temple in New York City, attended by 400 invited "writer-delegates" in front of a total audience of nearly 5,000.
Earl Browder, General Secretary of the CPUSA, delivered the keynote address to the delegates of the First Congress of the League of American Writers at its opening session.
[7]Joining Browder in addressing the delegates to the organization's founding convention was CPUSA political committee member Clarence Hathaway, who greeted the Congress in the name of "the entire staff of The Daily Worker," the official newspaper of the Communist Party.
[10] The governing Executive Council elected by the first Congress included Frank, Freeman, Trachtenberg, Michael Gold, Granville Hicks, Malcolm Cowley, Josephine Herbst, Albert Maltz, Kenneth Burke, Harold Clurman, Hart, Josephson, Lawson, Scheider, Seaver, Genevieve Taggard and Alfred Kreymborg.
The organization also had a number of local chapters which conducted various fundraising activities and events designed to raise public awareness about matters of concern to the League.
[12] This effort at gathering prominent figures was assisted by a muting the explicitly revolutionary language and communist tone of the organization by the time of its June 1937 second convention.
"[18] Gone was talk of the collapse of capitalism and the duty of writers to speed its demise as participants in the class struggle; now the task at hand, in Browder's view, was the building of "broad unity of all democratic and progressive forces ... against the menace of fascist barbarism.
"[18] Frank was replaced as President of the League in 1937, owing to his questioning of the evidence and verdicts being rendered at the great "Show Trials" in Moscow.
[17] The League touted seven prominent Vice-Presidents during the last years of the 1930s, including Van Wyck Brooks, Erskine Caldwell, Malcolm Cowley, Paul DeKruif, Langston Hughes, Meridel LeSueur, and Upton Sinclair.
[20] The 3rd Congress of the League of American Writers, held in New York City in June 1939, once again opened with a Friday night public session at Carnegie Hall.
Poet Langston Hughes delivered the keynote address, in which he likened the situation of American blacks to that of the Jewish minority in Germany, with but one difference: "Here we may speak openly about our problems, write about them, protest, and seek to better our conditions.
[24] With the signing of the Nazi-Soviet Pact in the fall of 1939, the League of American Writers turned its official policy from one of advocacy of collective security against fascism in Europe to one of opposition to the so-called "imperialist war," in accord with a change in the political line of the Communist International and the CPUSA.
[19] This abrupt reversal was not cost-free to the organization, however, as a series of prominent members of the League of American Writers left the group's ranks.
Those exiting during this "Yanks Are Not Coming" period included Archibald MacLeish, Malcolm Cowley, Van Wyck Brooks, Thomas Mann, and Granville Hicks, among others.
This group's members included: Lillian Hellman, Dashiell Hammett, Lawrence A. Goldstone, Eleanor Flexner, Len Zinberg, Shaemas O'Sheel, and Sonia Raiziss, among others.