Keti Chukhrov

In 2012-2017 she was the head of Theory and Research department  at the National Center of Contemporary Art, Moscow.

‘Theatre’ in Philosophic Critique of Art (European Un-ty, 2011), Pound &£ (Logos, 1999), and a volume of dramatic poems: Merely Humans (2010).

She authored the dramatic video-poems Afghan-Kuzminki (2013), Love-machines (2013), Communion (2016), Undead (2022) based on her plays and featured at the Bergen Assembly (2013), the Specters of Communism show (James Gallery, NY, 2015), the Ljubljana Triennial U-3 (2016, cur.

[4] From 2010 to 2016, she worked as a Docent at the Department of Art Theory and Cultural Studies at the Russian State University for the Humanities.

[1][7] She published in Voprosy Filosofii, Moscow Art Magazine, New Literary Review, Logos, and others.