Zaki hires gangster Abu Hadwa (Reyad el-Kasabgy) to kidnap Khadra but Fouad calls the police and they free her.
Khadra encounters many difficult situations impersonating her Brazilian character, but the real Lola Bey (Afaf Shaker) arrives and clears up the misunderstanding.
The songs include lyrics by El-Sayed Ziada and Fathi Qura with music by Mohamed Ihsan, Ibrahim Hussein, Sami Naasan, Omar el-Gizawy, and Mahmoud al-Sharif.
Ziad Assaf wrote in the 2017 article, “درية أحمد، صوت المرح في الأغنية السينمائية” (“Doria Ahmed, the Voice of Whimsy in Film Music”), in the Jordanian newspaper Al Ra’i that: Doria Ahmed’s marriage to director El-Sayed Ziada paved the way for her to enter the world of cinema…She starred in the Khadra films…in which her songs were used to dramatic effect…We feel the lightness and joy in her songs, through which she expresses the whimsical nature of her character.
[5]According to legendary critic Samir Farid in the entertainment ezine Shahrayar Stars: Actress Doria Ahmed turned out a stellar performance as the character of Kadra…we forget the simple machinations of the plot to lose ourselves in the comic talents of Shokoko, El-Shennawi, Doria Ahmed, and even Omar el-Gizawy and Nabaweya Moustafa in the cotton harvest dance…The film features a screenplay by Mahrous Ziada[6]…is directed by El-Sayed Ziada…and was a domestic success.In Al-Wafd, Samar Medhat praised singer-actress Ahmed: Best-known for the movie Khadra and the Southern Sinbad, she gained renown for songs like “Valley of Bliss”; “اه يا بوي آه يا نا” (“Oh, Oh, Boy, Oh, Oh Na”); and “ل يمين ول شمال سنتر فرويد سنتر هاف” (“Right and North of the Centre-half”), a vivid description of a 1950’s association football match.