Kijuro Yahagi (矢萩 喜從郎; born 1952) is a Japanese artist, designer, architect and photographer.
He completed the graduate School of Science and Engineering, Waseda University.
He uses his unique concept of modeling derived from the phenomenon of nystagmus (constant, minute, and involuntary movement of the eyeball)[4] and Imaginary Boundary Planes,[1] as well as the term “phenomenon as a dynamic state“[5] to develop a diverse range of genres of express.
To trace his contemplation and activities over a period of about 35 years, an exhibition was held at Museum of Modern Art, Kamakura & Hayama from November 2021 to January 2022.
[2] Shot by a Sight (1988) Events Presented Themselves to Me in Their Logical Sequence (1989) To the Best of One's Memory (1990) Perceiving by Sight (1992) Thin-Skinned (1993) One's Point of View (1994) Hidden Accumulated Vision (1998) View Points of Intersection (1999) Existence Appearance through Insight (2000) Piercing memories [1], [2] (2002) Piercing One’s Eyes (2002) Magnetic Vision (2009) The Space of Magnetic Vision (2014) Universe (2020) Fragment (2020) Mirage on Mirage (2023)