Kirill Turichenko

From his early years he took part in Odesa show-team "Star Hour", which has participated in many festivals and contests.

In 1995 as the participant of "Star Hour" he played a leading part in the musical "The Magic Aladdin's Lamp".

Turichenko-operated for a long time with the largest and popular concert clubs of Odesa, where public gathers specially for their performances 5 days a week.

On May 7, 8, 2002 at the Odesa Music Comedy theatre a premiere of the rock-opera "Romeo and Juliet" took place, where Turichenko has played a leading part.

From August 2004, Turichenko played a leading part in a performance “The Canterville Ghost”, based on the Oscar Wilde's book.

Then, among of several thousand applicants, he has received a part in the Moscow performance, namely in Andrew Lloyd Webber`s musical "Cats".

The Artist had to make a choice what to prefer – to work in already over-hyped Russian project or to risk and try luck in representing Ukraine at the international song contest and to conquer Europe.

In May 2010, the single "4 Seasons of Love", written by Turichenko with Ray Horton, the ex-member of The Real Milli Vanilli, was presented in Ukraine.

The Russian clip-maker Pavel Khudyakov and operator Maxim Osadchy shot a summer music video "4 Seasons of Love".

Mastering of the album took place in February 2011 in London Metropolis studio, which at one time Lady Gaga, Justin Timberlake, Michael Jackson and other world stars recorded their songs.

In November 2010, in Crystal Hall in Kyiv Turichenko presented his new music video "Prosti menya" /Forgive me/, directed by Katya Tsarik.

In August 2011, Turichenko was appreciated by music experts of show business "Crystal Microphone" award.

When he was 13 years old his parents sent him to study at Odesa high school № 37 drama class under the direction of Olga Kashneva.

All of these elements were dictated by scenography: two board constructions moved by the stage, transforming in imagination of spectators to locks of Montague and Capulet, to fighting vehicles, to serf towers.

The stage director of performance, the choreographer, the honoured worker of arts of Russia, the winner of the international contests considered that the majority of performances, based on the Shakespeare's works are very refined and coddled, that is why he wanted to show a power and pressure, epoch – barbarous.

Young sincerely enamoured Romeo and Juliet are especially fragile, defenceless and pure against a huge and blind power on the background.