[11] The Dallas Observer wrote that "this is music that has lived and died a thousand times, sounding so ancient and distant even when updated for the world-music crowd that likes its exotica pristine and slick.

"[15] The Baltimore Sun called Kismet "a truly remarkable recording," writing that "the album draws not just from the Hungarian tradition, but also from the music of Ireland, India, Bosnia, Bulgaria, Romania, Greece and Tatarstan...

It's a heady mix, but because Sebestyen so clearly understands the connections between these cultures, the melodic threads weave easily into a strong and lustrous fabric.

"[16] The Observer determined: "Entwining traditional and modern instruments and songs from Eire to India, this is an impeccable, at times transcendent fusion.

"[17] The Republican noted the "exquisite soundscape of violins, flutes, acoustic guitars, mandola, tamboura and a host of other instruments.