She taught at the Hochschule für Musik München and founded the ballet academy Heinz-Bosl-Stiftung in memory of her partner on stage Heinz Bosl.

After retiring from the stage, she was founding director of the now independent ballet company Bayerisches Staatsballett.

Her interpretations of major parts of the classical and contemporary repertory are remembered, including the title part of Giselle, Tatjana in John Cranko's choreography of Onegin, and the heroine in Gerhard Bohner's Die Folterungen der Beatrice Cenci.

[4] She succeeded in separating the ballet company of the Staatsoper, forming the independent Bayerisches Staatsballett and serving as its director from 1988 to 1998.

[5] In 2010 she retired from the Ballett-Akademie München and founded the Junior Company (Bayerisches Staatsballett II), a bridge between academic ballet training and professional dancers, to serve the needs of young dancers at the beginning of their careers.