Some of the artists who rose to fame under Good Looking in this period include Blame, Seba, Big Bud, Blu Mar Ten, DJ Dream (Aslan Davis), Future Engineers, Tayla, Aquarius (an alias of Photek), Peshay, Source Direct and Artemis.

[7] Viewed as an innovator in the drum and bass style, Bukem is known for developing an accessible alternative to that hardcore genre's speedy, assaultive energies.

His style pays homage to the Detroit-based sound of early techno, but Bukem also incorporates still earlier influences, particularly the mellow, melodic sonorities of 1970s era jazz fusion as exemplified by Lonnie Liston Smith and Roy Ayers.

[8] Early in his career, Bukem was identified for his response to the "almost paranoid hyperkinesis" of breakbeat-based house music, and specifically for his reservations regarding the overbearing force of the hardcore mentality.

[9] Bukem's music from the early 1990s onward represents his efforts to map out an alternative future for drum and bass by incorporating softer-edged influences culled from London's 1980s rare groove and acid jazz scenes.

His use of keyboards, live vocals and slow-motion breaks on these and future releases earned Bukem's music the tag intelligent drum and bass.