Léo Ferré reveals during interviews with French medias the mindset behind this album: for him, in 1980 "the time is pathetic, dismal, flabby, sweating with fear... People let them being scammed far too much.

"[1] That's why Ferré puts here his three previous albums' (relative) serenity aside and reintroduces poetic violence, sharp spoken word and urgency feel in his work, to counteract artistically and morally what he considers to be a lack of critical thinking from his contemporaries, self-denial and submission he sees all around him.

If you feel it coming then you must go out, yell, screw up power and millenniums of morality you carry on your shoulders, go far away... get out of that glue.

"[2] This album is the result of two separate recording sessions: one with the RAI National Symphony Orchestra, taken from the recording sessions of the previous album (Il est six heures ici et midi à New York) in February 1979, and the other carried almost alone by Ferré in Brussels, far from his usual collaborators in Italy (where he lives since 1970).

All songs written, composed, arranged and directed by Léo Ferré, except Frères humains, l'amour n'a pas d'âge, written by François Villon and Léo Ferré.