[1] There he assisted on albums for musicians including Nik Kershaw, Phil Collins, John Martyn and Johnny Diesel.
On returning to Sydney he worked at Studios 301 with Kate Ceberano, Groove Terminator, and Swoop, among others.
Since then he has worked on albums for artists including The Jezabels, Little Bastard,[2][3] The Vines,[4] Love Like Hate, Deligma, The Hard-Ons, Little Earthquake,[5] Elliot the Bull, Eli Wolfe, Billy Thorpe, The Whitlams, Nitocris, Skulker, Henry's Anger, Something with Numbers, The Amenta, Sailmaker, One Dollar Short, Motor Ace, The Porkers, Lorelei, and The Black Lullaby.
"[11] The band has credited him with bringing together their disparate sounds and diverse interests,[12] and helping to produce their signature "sweeping, cinematic,"[13] "grandiose, expansive soundscapes.
"[14] The Mercury describes Mitchell as "himself a bundle of contradictions who loves pop divas by day but plays in a black metal band by night," referring to his long-standing association with Nazxul.