[2] The organization's constitution outlined how they would achieve this goal, including discussions of professionalism, lectures and readings relating to the art world, and available studio space for a low price.
[2] The LAA, and organizations like it, served to help female artists break into the traditionally male dominated sphere of the art world and gain their own recognition and notoriety.
[3] This association offered a variety of resources to its members, including work spaces that were available to rent, professional classes, and a gallery to publish their art.
These advantages included access to art education, the ability to show and sell their work, and the reception of valuable letters of recommendation when they traveled abroad.
The goal of the LAA was for its members to involve themselves socially and professionally with one another, as well as to gain exposure to all matters concerning art and artists, which they did not have regular access to as women.
[5] Mrs. Pope offered her studio as an exhibition space and the members shared their artwork, both finished and unfinished, with one another,[6] giving and receiving constructive criticism, peer review, and guidance.
[7] In order to remain inclusive, while also maintaining a degree of professionalism, the Ladies' Art Association offered different levels of membership.
[2] Juniors, who were art students, and associates, who were either amateurs or connoisseurs, were the entry forms of membership, though they were recognized as paths to professionalism.
[5] In addition to elevating the interests of female artists, the Ladies' Art Association also offered its members a variety of educational opportunities.
In 1869, the LAA organized a Life School for Women, along with classes focused on the technical skills needed for drawing and carpet design.
Additionally, an 1890 Report on the Ladies' Art Association indicated that both black and white members were attending meetings, displaying an inclusive growth.