Ladislao Pablo Győri (Hungarian pronunciation: [ɟøːri]; born on July 13, 1963, in Buenos Aires, Argentina) is an Argentine engineer, digital and visual artist, essayist and poet, most known as the creator of Virtual Poetry in 1995,[1] which has been described as "of utmost significance in advancing literature as sculptural object in electronic space".
The study of the paintings of Rhod Rothfuss led him to work, since 1990, in the realization of Madí Turning Paintings-Relief (irregular frame) and 3D digital animations of these geometric structures.
[10] Győri participated, among others, in El árbol de la vida y su lenguaje (The Tree of Life and its Language), a remote controlled sculpture by Kosice which incorporates sonic elements, and their display through what is known as spectrum analyzer, by means of variable columns of water and light.
[4] Artificiality and virtual reality, art in cyberspace, studies of semantic fields, et cetera, and the diffusion of these new topics in the artistic world are an integral part of their proposal.
[12] His research about the problem of synthetic space in virtual reality systems, related to previous art and literary works, establishing "previously unexamined correlations between objects and subjects", in words of Funkhouser,[13] gave rise to "Virtual Poetry", a new conjunction between virtual reality and poetry, included finally into his main project: the Digital Domain of Works, which was exhibited in 1995 at the Galileo Galilei Planetarium of Buenos Aires, together with the project entitled Art Criticism in Cyberspace,[14]), an example of García Mayoraz's Vectorial Theory of Semantic Fields, originating from his multidisciplinary studies of Semiotics, information theory and both the human and the forthcoming artificial brain.