Her books include The Epilogue (2014), which documents the indirect victims of eating disorders; and a long-term project A History of Misogyny which includes On Abortion (2018), about the repercussions of abortion controls in many cultures; and On Rape (2022) about gender-based stereotypes and myths, as well as the failing structures of law and order, that perpetuate rape culture.
In 2009 she enrolled at Fabrica research centre, the artist residency of Benetton in Italy, where she worked as a staff photographer and consultant photo editor at Colors magazine for five years.
Since 2010, Abril worked on various projects exploring the subject of eating disorders:[1] A Bad Day, a short film about a young girl struggling with bulimia; Thinspiration (2012), which explores the use of photography in pro-ana websites; and The Epilogue (2014), documenting the indirect victims of eating disorders, through the story of the Robinson family and the aftermath of the death of Cammy Robinson to bulimia.
[2][3][4] Critic Sean O'Hagan, wrote in The Guardian, that The Epilogue "... is a sombre and affecting photobook ... dense and rewarding ... At times, it makes for a painful read.
"[5] Her long-term project A History of Misogyny includes Chapter One: On Abortion, about the repercussions of abortion controls in many different cultures;[6] and Chapter Two: On Rape: and Institutional Failure,[7] "a visualisation of the origin of gender-based stereotypes and myths, as well as the failing structures of law and order, that continue to perpetuate rape culture.