[1] They tend to be remembered only for their appearance on the Fillmore: The Last Days concert album, where they were one of several non-star artists on a set dominated by bigger names like the Grateful Dead, Santana, and Jefferson Airplane.
Reminiscent in spots of such varied artists as Tim Buckley, Judy Collins (in her art-song phase), David Ackles, and Savage Rose (in that band's most gospel-soaked period), their records were ultimately idiosyncratic enough to defy ready comparison to anyone.
Their debut album on the Fillmore label, A Sign of Change, was perhaps their most uncompromising and experimental, relying largely on jazz-folk acoustic arrangements and spotlighting Mauritz's impressive voice on impressionistic, dream-like lyrics.
Tracks: Personnel: + Of their followup, Cross Between, AllMusic wrote: "Lamb's second album used some far more conventional elements of electric rock production than their starker debut had, which in some ways made this follow-up more mainstream and less striking.
Most importantly, the songwriting continued to be as inspired and unusual as it had been on A Sign of Change, and only slightly less abstract, again mixing jazz, folk, impressionistic singer/songwriter rock, gospel, and classical, though in different proportions."