The pulse of ethereal '70s rock – from Pink Floyd to Hawkwind's more celestial moments... Dual vocal lines emanate from some unseen place, sometimes braided together in a conjoined plea for connection... Heartbreakingly beautiful.

"[4] BrooklynVegan staffer Rob Sperry-Fromm says "There's a classical doom feel... wedded to a modern sense of progressiveness, with reverb-y harmonies and organ melding creating a vivid contrast with the driving, powerful drumming of new member Rae Amitay.

She and [Haley] Westeiner employ two-part harmonies, the sort often used in medieval choir music... Their jagged, sometimes Slint-like approach to songwriting, and their assonant sining make their songs obscure...

"[6] MetalSucks Senior Editor Anso DF says "Another time and dimension... where Ulver and Ihsahn are Pink Floyd's precedents, where lyrics can trade mind-travels for centuries-ago suffering..."[7] Walker MacMurdo at the Willamette Week writes, "Soaring, clean vocals punching through an aura of swirling melancholy... Landless sounds like a strong contender – Portland or otherwise – for the best metal album of the usually slow first quarter of 2016.

"[12] Brian Krasman of Meat Mead Metal writes "From the progressive sections, to the enthralling arrangements, to the lush vocal harmonies that push the story, to the propulsive drumming, this group create weaving, winding tapestries that are melodic, dark, hypnotic...