[6] Inspired by Color Field Painters such as Helen Frankenthaler, Morris Louis and Kenneth Noland, Metz incorporates stain techniques and the interplay between the weave of the canvas and the saturation of pigment.
There's a lot of chance in the depth of all these little holes.”[6] Metz has produced a number of works in other media, including sculpture, furniture, sound, film and poetry.
[18] The capsule line included dresses, shirts, a skirt, and scarf with prints based on Metz's artworks, emphasizing the connection between art and fashion.
[21] Metz's work has been the subject of solo exhibitions at his representing galleries—Sean Kelly Gallery, New York and Los Angeles; Von Bartha, Basel and Copenhagen; Galleria Minini, Brescia and Milan; and Waddington Custot, London.
[4] While Metz's most common multi-panel format is the diptych, his largest work, titled MMXXII XL, was produced for the exhibition A Different Kind of Paradise, at Sean Kelly Gallery, New York.
The work consists of eight adjoining panels, each 80” tall by 64” wide, and references the panoramic hanging of Claude Monet’s Water Lilies at the Musée de l'Orangerie in Paris.
[33] Metz was featured in a group exhibition at the Nassau County Museum of Art in New York,[34] and Greffes, curated by Pier Paolo Pancotto at Villa Medici in Rome.
[40] Metz co-hosts the podcast Abundance Zine with writer Christopher Schreck, where they facilitate conversations with creative thinkers about a range of topics across disciplines.