Larissa Sansour (Arabic: لاريسا سنسور; born 1973) is a Palestinian artist who currently resides in London, England.
Some of her works include Tank (2003), Bethlehem Bandolero (2005), Happy Days (2006), Cairo Taxilogue (2008), The Novel of Novel and Novel (2009), Falafel Road (2010), Palestinauts (2010), Nation State (2012), In the Future, They Ate From the Finest Porcelain (2016), and Archaeology in Absentia (2016).
Sansour was born in East Jerusalem to a Palestinian father and a Russian mother and grew up in Bethlehem.
[5] Larissa Sansour represented Denmark at the Venice Biennale 2019 with her exhibition Heirloom; an enactment of a dystopic future in a state of an undergone ecological collapse.
[6] The exhibition included Sansour's science fiction film In Vitro, which, as the artist explained in Ocula Magazine, 'questions the cyclicality of history and the fact that no matter where we are heading, revision is always needed'.