An earlier version of the project garnered attention when it was removed from a competition at the Musée de l'Elysée, allegedly due to its political connotations.
As she pushes the button, she looks over to a poster on the wall that reads "Nation Estate: Living the High Life".
The advertisements seems to address different social and political issues that Palestinians face today, such as water supply, food and travelling restrictions.
As the woman steps off the elevator and walks away, the city's old architecture can be seen as the basis for the floor.
In 2011, a multimedia project of the same name by the film’s director, Larissa Sansour, was selected to be a part of the Lacoste Elysée Competition.
"[1] After the work’s removal sparked outrage, Lacoste ended its sponsorship of the £21,000 prize while the gallery in turn suspended its relationship with the company.