The production on the album was handled by several producers, including: London on da Track, The Mekanics, Soundz, DJ Mustard, Needlz, Vinylz and Frank Dukes, among others.

The album features guest appearances from Ty Dolla Sign, Jhené Aiko, Migos, Juicy J, YG, Twista, Future, Big Sean, J. Cole and Feather.

During an interview with XXL, he explained his decision to change the title: "The last body of work I put out was Late Nights," Jeremih said.

During an interview with Billboard, Jeremih explained how his personal issues were the reason for the delays of the album's release.

[4] On May 15, 2015, in a separate interview with Billboard, producer and frequent Jeremih collaborator Mick Schultz confirmed that the originally released track listing and album cover had been changed and was no longer accurate.

[5] On November 21, 2015, the official album artwork, release date and track list was leaked by music streaming service Deezer.

[12] The single reached number 19 on the Billboard Hot 100 becoming his fourth top 20 hit as lead artist.

[16] The second promotional single is "Peace Sign" featuring Fabolous and Red Cafe was released November 18, 2015 but didn't appear on the album.

[17] Jeremih expressed in an interview with German music journalist Malcolm Ohanwe, that he had plans to issue "Impatient" with Ty Dolla Sign as a single.

[19] Meghan Garvey of Pitchfork said, "Late Nights, in its subtle seduction, feels all the more special in an era that increasingly rewards artists who shout the loudest.

"[23] David Sackllah of Consequence of Sound said, "Jeremih's vision is astounding, and the places in which he gets to indulge in adventurous risk-taking more than make up for the safe plays that surround them.

"[26] Colin Joyce of Spin said, "It's a haze, reflective of the real world consequences of living out the entirety of your life in the twilight hours.

Or maybe it's just the head trauma, from the setbacks and knockdowns that threatened to abort this record before it had a chance to even enter the room.

"[22] Andy Kellman of AllMusic said, "Despite the winding path that led to it, Late Nights is together, neither tentative nor overcooked.

It's apparently truer to Jeremih's vision than his first two albums, though only the most attentive listening reveals an artist with more dimensions – or more vocal ability – than the one who sang "Birthday Sex" and "Down on Me.