[3][4][5][6][7][8][9] Her illustrations for Yolen's Beneath the Ghost Moon (Little, Brown & Company, 1994) were praised in a Publishers Weekly review: "Molk's careful, cool-hued watercolors depict a well-appointed farm house and an endearing cast of gentle-eyed mice".
[7] Publishers Weekly wrote that the text of Good Job, Oliver (Knopf, 1999) "cheerily conveys several important messages, including the value of self-confidence and conviction".
[10] Publishers Weekly said about When You Were Just a Heartbeat (Little, Brown, 2004): "Molk certainly sends a heartfelt message to young listeners," but "the book may be too esoteric and its illustrations too quiet to capture—and keep—children's attention".
[12] Kirkus Reviews called it "brisk and bouncy," and noted, "using a different, handwritten-style type for the dialogue keeps things clear, though read-alouds could still be a bit tricky".
[13] Molk's Knitting for Dogs (Random House Studio, 2022) was reviewed by Publishers Weekly as "Molk... demystifies the problem-solving process with measured storytelling, wry images, and a cool but approachable protagonist, acknowledging both the frustrations of hitting a metaphoric wall and the joys of discovering new depths of personal ingenuity".