She is the author of eight poetry collections, most recently In Old Sky, which grew out of her experience as Astronomer-in-Residence at Grand Canyon National Park.

[4] According to Jacqueline Kolosov, "One of Camp’s gifts is her ability to conjure both the historical and the mythic past and the joint terrain they inhabit, with a vividness that, at its best, captures moments infused with both sorrow and joy.

"[5] Writing in Poet Lore, Margaret Randall said, "Camp pulls together and makes full sense of the questions that have nudged and troubled her…the places claimed by remembering and forgetting, the ways in which gender inhabits time and place, the identity she holds…" Publishers Weekly says of Camp's work, “There are smaller surprises that intertwine with this larger narrative… the ideas of loss and forgetting become more evident with each poem.”[6] Electric Literature, in acknowledging One Hundred Hungers for "7 Books of Poetry by Arab American Women," wrote "Camp is a master of the luscious line...

"[7] In its review of One Hundred Hungers, World Literature Today describes "the oddity of diaspora within diaspora through evocative imagery and diction […] and direct interrogation of political (and personal) drama.”[8] Washington Independent Review of Books says of Took House, “It’s as if Camp is holding a magnifying glass in the light until the page beneath it catches fire,” and World Literature Today, in an "Editor’s Pick", states, “The ‘sinew and lava’ of both desire and loss pulse right beneath the surface of the poems…” She is the subject of an episode of Grace Cavalieri's The Poet and the Poem for The Library of Congress[9] and a long-form interview by David Naimon on Between the Covers.

She has presented her poems at the Mayo Clinic, the Oklahoma Center for the Humanities, The Georgia O'Keeffe Museum and the International Studies Institute.