[4] The pianist Graham Johnson calls it an "enchantingly mournful serenade of a persistent, if unsuccessful lover … Fauré distilled to the essentials".
[3] Both Johnson and Vladimir Jankélévitch find an autumnal quality in the song, despite the reference to "la saison nouvelle".
[3] The Fauré expert Jean-Michel Nectoux rates it among the composer's most inspired songs, and groups it with "Le Ramier", Op.
94 as "a kind of homogeneous triptych … a cheerful but nostalgic farewell, the last sparks of the galant madrigal which Fauré had practised for so long".
[2] Analysing the song, Johnson describes it as a madrigal with an accompaniment evoking "the gentle plucking of a lute, although the strength of the bass line, almost a counter-melody in itself, depends on the legato tone of a piano to make its effect.