Here they claimed they sought to wipe out the last traces of bourgeois culture from working class consciousness, seeing the disappearance of this pseudo-culture as no loss.
They envisaged a new proletarian culture dormant within the working class which could be woken up and play a role in the revolutionary transformation of society.
[4] The production ran into difficulties in mid-October, however, when some of its cast refused to play for metalworkers who were on strike at the time, which led to the termination of the relationship between the League and the Tribüne.
[8] The newspaper of the Communist Party of Germany (KPD), Die Rote Fahne (The Red Flag) thought that in its promotion of individual self-realisation through self-sacrifice the play adopted an anarchist political position.
[3] Whilst the KPD did little in the field of the arts, the KAPD stated in their programme: "a decisive factor in hastening the social revolution is revolutionising the proletariat's entire mental view of the world.