His approach as an artist[2][3] led him to create territorial languages by the rhythmic movement of a «Carré Plastique».

His approach is to build himself through color, texture, to glimpse in the field image and portrayal of what we call identity.

This image identity acquires a new dimension in the pictorial space that involves young and old students in an educational experience (Dazibao and arrimage) Paul Klee[4] for his interest of drawing rhythms, graphics and above all a presence of spirituality which allows me to find my own African roots.

Riopelle and les Automatistes[6] Québécois for the idea of a behavior in which I can find a personal energy by the gestures.

Not to mention other private collections in Germany, Los Angeles, New Jersey, Miami, Switzerland, Monte Carlo and Haiti.