Leopold Trattinnick

This was followed by 'Genera Plantarum Methodo Naturali Disposita', in 1802, which was a proposal for a natural arrangement of some plant genera.

[3][5] Several places still have these wax collections including the 'Museo Civico di storia naturale' in Trieste, Italy (only up to no.

[1][7] He did not have an official botanical position until 1806 when he became the “Landschafts-Phytographen von Niederösterreich”,(plant illustrator of the landscape of Lower Austria).

Whilst being a curator, he organised the specimens of various plant genera including Theophrasta, Sophora, Hermannia and Psoralea.

[9] Between 1812 and 1822, he published 'Auswahl vorzüglich schöner, seltener, berühmter, und sonst sehr merkwürdiger Gartenpflanzen, in getreuen Abbildungen nebst Erläuterungen über ihre Charakteristik, Verwandschaft, Klassification, Geschichte, Verwendung, Cultur, und ästhetischen Ansichten' (translation: Selection of Exquisitely Beautiful, Rare, Famous and Otherwise Very Strange Garden Plants, in faithful pictures together with explanations of their characteristics, relationships/ kinship, classification, history, use, culture and aesthetic properties).

A set sold in 1999 for £9,775[1] In 1812, all known species in the genus Hosta were grouped together by Trattinnick, and named in honour of his fellow Austrian Nicholas Thomas Host, who was a botanist and physician at the court of Emperor Frances I of Austria.

[11] Between 1816 and 1822 he published two volumes of the 'Flora der Oesterreichischen Kaiserthumes' (Flora of the Austrian Empire), but the complete work was never finished.

[1][4] In 1816, Trattinick published and described Schmidtia subtilis in 'Flora des Osterreichischen Kaiserthumes' Volume 1 Issue 12, t.451.

[14] In 1819, he published 'Oesterreichischer Blumenkranz', (Flower Wreaths of Austria) which was described as “not botany in verse, but pure botanical poetry, representing the work of the important Austrian botanist; 200 plants from the white lily to the sharp stonecrop poetically imagined”.

[1] In 1821, he published 'Botanisches Taschenbuch oder Conservatorium aller Resultate Ideen und Ansichten aus dem ganzen Umfange der Gewächskunde', Vienna, (translated as Botanical Notebook or conservatory of all resulting ideas and views from the whole range of Botany).

[1] Between 1823 and 1824, four volumes of Synodus Botanica were published with illustrations or scientific drawings by 'Franz Nobleman Portenschlag-Ledermayer'.

[17] In 1825, Trattinnick published 'Genera Nova Plantarum Iconibus Observationibusque Illustrata', which appeared in 24 fascicles.

[1] In 1826, as the curator of botany, Trattinick wrote in his annual report “The botanical heritage of Ferdinand Bauer, who died in Hietzing in March of this year, consisting of 113 small parcels of dried plants from New Holland, the Island of Timor the Island of Norfolk, and the Cape of Good Hope, and of 1876 plates of drawings of them, sketched in pencil, which His Highest Imperial Majesty had purchased, has been handed over to me.

[4] In addition to his scientific published work, he maintained an avid correspondence with foreign and domestic trade scholars and other eminent men, which include Goethe and Alexander von Humboldt.

[26][27]Burseraceae contains many species of trees and shrubs, which includes the sub-tribes Protieae, Bursereae, and Canarieae.

A painted illustration of a Pelargonium from Trattinnick's book 'Neu Arten von Pelargonium', c.1825-34