Letters to Juliet is a 2010 American romantic comedy-drama film starring Amanda Seyfried, Christopher Egan, Gael García Bernal, Vanessa Redgrave and Franco Nero.

On their last day of searching, having accepted that their quest will likely be in vain, Claire points out a vineyard and asks to stop so they can have a farewell drink for Sophie.

Charlie climbs up the vine to the balcony, recreating the famous scene from Romeo and Juliet, but accidentally falls, so they kiss as he lies on the ground as Claire, Lorenzo, and the wedding guests come to see what happened.

The site's critical consensus reads: "Letters to Juliet has a refreshingly earnest romantic charm, but it suffers from limp dialogue and an utter lack of surprises.

[6] The Guardian's Peter Bradshaw called the film "cheerfully ridiculous", pointing out the differing accents from both Amanda Seyfried and Christopher Egan, but gave praise to Vanessa Redgrave for a "likably, if not quite intentionally mad performance.

"[7] Amy Biancolli of the San Francisco Chronicle was also positive towards Redgrave, describing her performance as being "elegant, clear-eyed and nurturing" and noting that she "commands the corniest dialogue to stand up and sound like poetry.

"[8] Elizabeth Weitzman of the New York Daily News praised both Redgrave and Seyfried, saying the former brings "a lovely gravity to the lightweight proceedings" and the latter displays "an unusually levelheaded presence.

"[9] Roger Ebert, said it had "unimaginably beautiful shots of the Italian countryside" and, aware of the film's genre and how it operates, gave it three out of four stars: "I know the ending is preordained from the setup.

"[4] Bill Gibron from PopMatters criticized the film for having two conflicting stories where only one is interesting, characters that make idiotic decisions for the plot to progress and have little romantic chemistry together that results in a lack of emotional resonance for the viewers, saying that "Letters to Juliet loses on all counts.

"[10] Nick Schager of Slant Magazine was negative towards its "cornball fairy-tale romanticism", criticizing the performances of Seyfried and Egan for having "a prototypically bland rom-com heroine" and being "laughably phony" in the material both given respectively, and found the plot to be of "dime store novel-quality.