In 2003 she co-curated the Abstraction Now exhibition (Internet Projects and Medialounge) at the Künstlerhaus Wien in Vienna, Austria.
[2] In the 1990s and early 2000s, she and her collaborator at Turux employed software normally used for multimedia CD-ROMs and Web page enhancements, notably Macromedia Director, to create animated abstract images, which "demonstrates the raw visual horsepower of these tools when they’re not yoked to some mundane purpose.
"[3] Her early work has been highlighted in histories of computer and digital art,[4] particularly for its use of novel forms of interactivity.
Lia investigates how it is possible to play with the amount of filament extruded, speed and the position of the printhead and how these parameters affect the final result.
[10] She is one of the founding members of Crónica, a "media-label" publishing and distribution project for electronic art and cultural artifacts.