[1] In the book, Copeland discusses her history toward becoming the only African-American soloist with the American Ballet Theatre following a life in which she and her family lived in poverty.

In a starred review on behalf of Booklist, Amber Peckham noted that Copeland's "professional success is impressive, but it’s not what makes her memoir such an unexpected page-turner".

She speaks with candor about having to lose her luscious curves and cover herself with white makeup to look more acceptable on stage, but she never places blame on those who asked her to do so.

Although she expresses a responsibility to break through color barriers for aspiring black dancers, her achievements will encourage all those attempting to beat the odds in competitive fields".

[4] Kirkus Reviews described the book as "interesting but self-congratulatory", noting that "Copeland’s depiction of the drive that pushed her to succeed in a white-dominated art form is inspiring, but she often overplays her narrative hand to the point where self-assurance comes across as smugness or arrogance.