She was from Paris, France She was a protégé of Sarah Bernhardt and performed at the French Theater on West 44th Street in Manhattan (New York).
An observer remarked about her skill in speaking, So perfect was her enunciation and the modulation of her voice that every syllable could be heard distinctly in the rear of the auditorium.
In December 1915 she played with Paul Gavault at the French Theatre in Mademoiselle Josette Ma Femme.
The melodrama is a quickly paced story about trying to save an innocent man from being electrocuted by intervening with the governor.
Greuze's filmography following The Recoil includes roles in Hier et aujord'hui (1918), Simone (1918), Tragedia senza lagrime (1919), Maître Bolbec et son mari (1934), Fanatisme (1934), and Bux the Clown (1935).