She has an interest in Baroque instruments, and in 2013 was a finalist in the National Centre for Early Music's Composer Competition, writing her The Dahomey Amazons Take a Tea Break for Florilegium.
[4] She writes of the piece:I had written a fusion piece, melding a Baroque-style melody with the Adzogbo rhythm common across many African cultures; the percussive, 'spitty' and unusual sounds ended up being my favourite, as the particularly human, vocal quality of the recorder and the richer, brighter tone of the Baroque cello had a cohesiveness that I probably would not have felt had the ensemble been on modern cello and flute, for example.
[5]Her 2016 work, remiscipate, reflecting the demolition of Glasgow's Red Road Flats, was commissioned and premiered by the Royal Scottish National Orchestra,[6][7] and described as an "evocation of a crumbling building, through moaning trombones and tremolo strings, as well as the bleak aftermath of dust and silence.
[11] In 2017, she was appointed a place on the London Symphony Orchestra's SoundHub programme, and commissioned her piece My Last Duchess, based on the poem by Robert Browning.
[14] She has also written reviews and articles for Revoice Magazine,[15][5] and maintains her own blog, The Green Copyist, on printing and preparing music sustainably.