In 1995 Ms. Vallejo expanded this workshop to create the A to Z Grantwriting Online Course, a 12 lesson / six-week on-line course with hundreds of resources, tools, samples, and examples.

[9] Around 2010, she began appropriating American pop icons like Mickey, Minnie Mouse, Cinderella, Fred Flintstone, Barney Rubble, Elvis Presley(El Vis), Marilyn Monroe (Marielena), historical figures such as Marie Antoinette and Louis-Auguste, and numerous American presidents, presenting them all as Mexicans with tanned skin (sometimes with tattoos) in her series titled "Make 'Em All Mexicans.

"[10] In 2014, Chicano Studies scholar Karen Mary Davalos presented the paper "Linda Vallejo: An Arc of Indigenous Spirituality and Indigenist Sensibility" at the Roundtable of Latina Feminism at John Carroll University.

[12] Davalos notes, “From one perspective, Vallejo has stolen, denied, and suppressed white representational power, and with a brush stroke, she has recoded it brown.

Racial coding, she reminds us, is only skin-deep.”[13] In 2016, she reprised "Make 'Em All Mexican" at the request of UCLA Film Professor Chon Noriega.

By "brown-washing" Hollywood celebrities Cate Blanchett(Catarina Blancarte), Ben Affleck and Matt Damon (Mateo y Bernardo), Audrey Hepburn (Aurora Hernandez), Marilyn Monroe (Marielena), and Oscar statues (supposedly modeled after Mexican Emilio Fernandez), they suddenly became starlets of Mexican descent, which attracted a lot of press in light of the ongoing #OscarsSoWhite campaign.

[14] Regarding this body of work, Marlene Donohue observes, "The exaggerated cliches here seem deliberate, designed to remind us that however much myriad identities/realities are marketed both in academia and consumer culture as the new 'post-race' norm, the ideology of racial domination continues.