[5] Designed by REX, the building features a main hall that physically adapts to accommodate a variety of performance configurations, in a manner similar to that of the firm's Wyly Theatre.

[13] All six surfaces of the hall modulate physically and acoustically to create five distinct stage-audience configurations—experimental media, recital, end-stage, orchestra, and flat floor.

[6] The five pre-set configurations can accommodate Brown’s 100-piece orchestra (with a 70-person chorus), individual recitals, major theatrical productions, immersive video and scenic projection with 40-channel ambisonic audio, digital cinema, and traditional lectures and receptions, among many other options.

Each of these spaces is equipped with infrastructure to support lectures, presentations, academic and extracurricular activities, and special projects involving motion capture, immersive video, and multi-channel audio.

[citation needed] Infinite Composition is an artwork by Leo Villareal which consists of illuminated panels of white LEDs that flow in a variety of patterns across 30 columns in the building's lobby.