[3] While her painterly techniques evoke art historical precedents, her motifs are often inspired by popular culture, creating an underlying dichotomy between high and low and, by implication, sacred and profane, harmony and dissonance.
[8] Of the artist’s paintings, critic Roberta Smith has written: "The combination of mixed subliminal messages, deliciously artificial color and forthright sexuality is characteristic of Ms. Yuskavage's work, as is the journey from high to low to lower culture within a relatively seamless whole.
[11] However, the complexities inherent in her paintings deny singular interpretation; as curator and critic Christian Viveros-Fauné explains: "Yuskavage’s oeuvre ... succeeds exactly to the degree that it refuses to be pinned down to any one of its many conflicted meanings.
[14] Additionally, Yuskavage is featured in the Metropolitan Museum of Art's new online series, The Artist Project, launched in March 2015, in which she discusses Édouard Vuillard’s The Green Interior (1891).
[19] In Tamara Jenkins' 2018 film Private Life, main characters Rachel (Kathryn Hahn) and Richard (Paul Giamatti) claim to be good friends with Yuskavage, whose artwork, gifted to them as a wedding present, hangs in their living room.