Amongst the operas which had their first performances abroad are Melesio Morales' Ildegonda (Italy, 1868), Daniel Catán's Florencia en el Amazonas (USA, 1996), and Julio Estrada's Murmullos del páramo (Spain, 2006).
However, the practice of using French or Italian librettos was common in 19th and early 20th century Mexico when much of the opera in that country was performed by visiting troupes largely composed of European singers unaccustomed to singing in Spanish.
The first opera by a Mexican-born composer was Manuel de Zumaya's La Parténope, performed in 1711 before a private audience in the Viceroy's Palace in Mexico City.
[5] He is known to have written at least two works performed during the 1805/1806 season at the Teatro Coliseo in Mexico City – El extrangero and Los dos ribales en amore.
With its story about the Huguenots in France and an Italian libretto by Felice Romani, contemporary critics noted that the only thing Mexican about it was the composer.