These paintings adhere to the current definition, and were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951.
[3] The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value".
The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century.
750) Japanese paintings showed influences of the Chinese Tang dynasty (618–907) and in the 9th century early Heian period evolved into the Kara-e genre.
[6] Mandalas became predominant in the paintings of the early Heian period as esoteric Buddhism emerged with the Shingon and Tendai sects in the 8th and 9th centuries.
The evolution of Pure Land Buddhism caused raigō-zu to be developed as a genre, characterised by depictions of the Amida welcoming the souls of the faithful to his Western Paradise as seen in a 1053 painting in the Phoenix-Hall of Byōdō-in.
By the end of the 14th century, monochrome landscape paintings (sansuiga) became the preferred genre for Zen painters, evolving to a unique Japanese style from the Chinese origin.
The Rinpa school, best represented by Tawaraya Sōtatsu and Ogata Kōrin, used vibrant colors to depict classical themes from Japanese literature and Heian period poetry.
An overview of what is included in the table and the manner of sorting is as follows: the columns (with the exceptions of Remarks and Pictures) are sortable by pressing the arrows symbols.