And I don't mean the editor should be given a mere half-a-leg up, nudged one inch higher in the Pantheon of creative people who do things.
"[2] Crediting the editing of a film is made more difficult by the fact that the relative contributions of the director and the editor vary enormously.
At one extreme lies the old Hollywood studio system; as described by Lizzie Francke, this was the "period when the editor was often left to his or her own devices in the cutting room.
Editors such as Margaret Booth (Metro-Goldwyn-Mayer Studios) and Barbara McLean (20th Century Fox) worked nearly autonomously.
Seven Samurai (1954), Kagemusha (1980)); Hiroshi Nezu, Kurosawa's production chief, was quoted as saying, "Among ourselves we think that he is Toho’s best director, that he is Japan’s best scenarist, and that he is the best editor in the world.