China: Orchid Pavilion Gathering of 353, which led to the publication of the Lantingji Xu and the related movement in Classical Chinese poetry.
Petrarchism was a trans-European movement of Petrarch's style followers, partially coincident with Mannerism, including Pietro Bembo, Michelangelo, Mellin de Saint-Gelais, Vittoria Colonna, Clément Marot, Garcilaso de la Vega, Giovanni della Casa, Thomas Wyatt, Henry Howard, Joachim du Bellay, Edmund Spenser, and Philip Sidney.
[13] Marinism was Italian Baroque poetic school and techniques of Giambattista Marino and his followers was based on its use of extravagant and excessive extended metaphor and lavish descriptions.
Culteranismo was another Spanish Baroque movement, in contrast to Conceptismo, characterized by an ornamental, ostentatious vocabulary and a highly latinal syntax.
Its main features are the refined language of aristocratic salons, periphrases, hyperbole, and puns on the theme of gallant love.
[23] The Pegnesischer Blumenorden (1644 – present) is a German Baroque literary society represented the Nuremberg Poetic School of Georg Philipp Harsdörffer and other figures.
Romanticism stressed strong emotion, imagination, freedom within or even from classical notions of form in art, and the rejection of established social conventions.
Romantic poets include William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, and John Keats (those previous six sometimes referred to as the Big Six, or the Big Five without Blake); other Romantic poets include James Macpherson, Robert Southey, Emily Brontë, Adelbert von Chamisso, Alexander Pushkin, and Mikhail Lermontov.
[31] The Pre-Raphaelite Brotherhood was a primarily English art and poetic school, founded in 1848, based ostensibly on undoing innovations by the painter Raphael.
Its most significant poets included Alexander Blok, Valery Bryusov, Fyodor Sologub, Konstantin Balmont, Vyacheslav Ivanov, Dmitry Merezhkovsky, Zinaida Gippius, and Andrei Bely.
The group is usually described as comprising Henry Wadsworth Longfellow, William Cullen Bryant, John Greenleaf Whittier, James Russell Lowell, and Oliver Wendell Holmes Sr.
Poets involved with Futurism Filippo Tommaso Marinetti, Giovanni Papini, Mina Loy, Aldo Palazzeschi, Velimir Khlebnikov, Almada Negreiros, Vladimir Mayakovsky, Stanisław Młodożeniec, and Jaroslav Seifert.
[57][58][59][60] Figures involved with Acmeism include Nikolay Gumilev, Osip Mandelstam, Mikhail Kuzmin, Anna Akhmatova, and Georgiy Ivanov.
The Imagists were (predominantly young) modernist poets working in England and America in the early 20th century (from 1914), including F. S. Flint, T. E. Hulme, Richard Aldington and Hilda Doolittle (known primarily by her initials, H.D.).
[62] The Imaginists were avant-garde post-Russian Revolution of 1917 poetic movement that created poetry based on sequences of arresting and uncommon images.
They include Louis Zukofsky, Lorine Niedecker, Charles Reznikoff, George Oppen, Carl Rakosi, and Basil Bunting.
Some major figures include John Ashbery, Frank O'Hara, James Schuyler, Kenneth Koch, Barbara Guest, Joe Brainard, Ron Padgett, Ted Berrigan and Bill Berkson.
The Movement was a group of English writers including Kingsley Amis, Philip Larkin, Donald Alfred Davie, D. J. Enright, John Wain, Elizabeth Jennings and Robert Conquest.
[80][81][82] Poets involved with it Evgenii Kropivnitsky, Varlam Shalamov, Yury Dombrovsky, Aleksandr Galich, Igor Kholin, Naum Korzhavin, Yury Aikhenvald, Genrikh Sapgir, Vilen Barskyi, Roald Mandelstam, Leonid Chertkov, Gennadiy Aygi, Stanislav Krasovitsky, Vsevolod Nekrasov, Yuliy Kim, Anri Volokhonsky, Andrei Bitov, Igor Sinyavin, Joseph Brodsky, Alexei Khvostenko, Yevgeny Kharitonov, Dmitry Prigov, Kari Unksova, Ry Nikonova, Oleg Grigoriev, Eduard Limonov, Viktor Krivulin, Sergey Stratanovsky, Vladimir Erl, Elena Ignatova, Serge Segay, Lev Rubinstein, Aleksandr Mironov, Elena Shvarts, and Sergey Gandlevsky.
The Hungry generation was a group of about 40 poets in West Bengal, India during 1961–1965 who revolted against the colonial canons in Bengali poetry and wanted to go back to their roots.
The poets included: Leslie Scalapino, Bruce Andrews, Charles Bernstein, Ron Silliman, Barrett Watten, Lyn Hejinian, Bob Perelman, Rae Armantrout, Carla Harryman, Clark Coolidge, Hannah Weiner, Susan Howe, and Tina Darragh.
The Minimalism is an avantgardist artistic, dramatic and literary movement in the late 1960s and '70s U.S. emerged, is characterized by an economy with words and a focus on surface description.
The poets who identified with it are Samuel Beckett, Grace Paley, Raymond Carver, Robert Grenier, Aram Saroyan, and Jon Fosse.
The Nuyorican poets of the 1970s, 1980s, and 1990s wrote and recited dramatic poetry in Spanish, Spanglish, and English with humor and rage about social injustice, ethnic and racial discrimination, and U.S. colonialism in Latin America and the Caribbean.
The Moscow group included not only artists but also poets Vsevolod Nekrasov, Dmitry Prigov, Lev Rubinstein, Anna Alchuk, and Timur Kibirov.
[96][97][98] The Metarealists, namely metaphysical realists, in the 1970s–90s unofficial postmodern Soviet and Russian poetry, who all used complex metaphors which they called meta-metaphors.
[101][102] Rather than looking to the Confessionalists, they look to Robert Frost, Richard Wilbur, James Merrill, Anthony Hecht, and Donald Justice for poetic influence.
Kennedy, Timothy Steele, Mark Jarman, Rachel Hadas, R. S. Gwynn, Charles Martin, Phillis Levin, Kay Ryan, Brad Leithauser.
[103][104] Poets named as associated with this movement have included David Berman, Catherine Wagner, Dean Young, Miranda July, Tao Lin, Steve Roggenbuck, Frederick Seidel, Arielle Greenberg, Karyna McGlynn, and Mira Gonzalez.
[105] An emergent movement across poetry is termed Poelectics, a general trend among many poets to vary subject, mode and form according to the artistic impetus, situation or commission at hand.