List of works by Jules-Charles Le Bozec

Le Bozec was a pupil at Paris' École nationale supérieure Beaux-arts where he was taught by Jean Boucher.

In 1926 he submitted a design for the school's annual Bridan competition for a Figure dessinée d'après l'antique this entitled Cincinnatus and he won the second prize.

When the 1914-1918 war ended, the Pope declared St Anne "patron of Brittany" and, as with all of France, Brittany was left in 1918 traumatized and bereaved and in 1920 Monseigneur Célime Gouraud, Bishop of Vannes along with the other four Breton diocesan bishops, proposed the creation of a place of remembrance for all those lost.

The crypt was inaugurated in 1928 and the esplanade and coupole finished in 1932 and the surrounding wall was decorated with the "stations of the cross" by Jacques Ballandre and completed from 1932 to 1934.

[3] Le Bozec sculpted the figure of a young widow in local peasant dress who stands before the pedestal on which her husband's name is inscribed, along with those of all the men of Gouarec who died in the 1914-1918 war.

The chapel is regarded as being an example of an emerging néobreton style and what singles the building out is the largely open porch in which stands an altar.

Le Bozec sculpted the figure of Christ on the Cross in 1942 for the altar placed in the chapel's porch.

There is a door in the southern arm of the transept which carries the inscription in Breton: 937 - 1937, gant milvet bloaz adsavidigez Breiz eo bet adsav et ar chapel-manThe chapel also has a monument by Le Bozec dedicated to Jean-Marie Perrot and the sculpture Gisant de femme depicting a woman in Breton dress.

[8] Le Bozec sculpted one of the Stations of the Cross for this church depicting Jésus devant Pilate.

The pardon of the diocese of Quimper takes place in Le Faou and its church of Notre-Dame de Rumengol.

[11] The architect James Bouillé designed this chapel in Lannion for the Saint-Joseph college in 1936/37 and used artists from "An Troellen"; including Jules-Charles Le Bozec for any sculpture involved, Xavier de Langlais to add some paintings and Paul Rault to create the chapel's stained glass.

The workshop included among its members Mlle Ménard (glazier), Madame Planiol (restoration of priestly vestments) and Jules-Charles Le Bozec.

At this time he advocated a radical plan to build a new Breton capital city to be called "Brittia", which would be a "Celtic Brasilia" on the shores of Lake Guerlédan.