The Albert Louppe bridge crosses the Élorn estuary and joins Brest with the Île de Plougastel.
[1] Quillivic's statue "La Bigoudène" at Pors-Poulhan marks the border between the areas of Pays Bigouden and Cap Sizun.
[2] This statue depicting the explorer Charcot stands in St Malo's Jardin de Solidor in the Quai Sébastopol.
With this work Quillivic won a bursary which provided funds for travel to North Africa and Italy to enable him study sculptures at first hand.
The semi naked female figure was considered too provocative and was replaced by a Madonna and Child by Jules-Charles Le Bozec.
[9] Quillivic was commissioned to execute a bronze depicting a portrait of Halléguen, the politician and French Resistance member for his tomb in Quimper's St Joseph cemetery.
At the summit of a huge column, 17 metres in height, is the head of a Breton woman, modelled by Quillivic's mother, mourning the death of a loved one; a son or a husband, a "Mater Dolorosa".
There is a crypt with a permanent exhibition of photographs of men lost at sea [12][13] It seems that it was Quillivic's habit to select a member of the family of one particular name listed on a commune's memorial and to catch their likeness in the sculpture on which he was working thus making it "special" for each community.
[19] The war memorial stands in the old "cimetière marin du Vil" in the avenue Tristan Corbière and has two bronze plaques by Quillivic dating to 1920.
[23][24][25] Apart from the war memorial, the commune also has a bronze bust of Quillivic's mother in a traditional head-dress, this on public display near his family home.
[29][30] Quillivic worked on this memorial, which stands in Carhaix-Plouguer's Rue de l'Église in front of the Église Saint-Tremeur, in 1929.
He sculpted a standing soldier using dark granite who is stood on a pedestal whilst below a second statue depicts a Breton woman her hand on her chest and clearly in mourning.
A woman in local dress is Quillivic's composition here and she stands, lost in thought, with a soldier's helmet laying at her feet.
The memorial was placed near an existing Calvary and a semi-circular wall to which were affixed the "Stations of the cross" by Yann Larhantec.
The four Breton women are placed at the corners of the slab They wear different headdresses and Quillivic endeavoured to embrace "all social groups and ages".