[1][2][3] In a review for AllMusic, Dan Warburton wrote: "the music [Rogers] produces always manages to steer clear of the all-out physical endurance test aesthetic of a Peter Kowald or a William Parker.

His bowed work is rich and resonant, and as open to folk-inflected melody as it is to extended techniques... and he manages to make the venerable instrument sound like anything from a violin to a sitar to a lap steel.

He isn't shy of melodic patterns or conventional timbres, although he makes these elements part of a rushing flow which evolves so quickly that it asks the listener to be very alert.

"[4] Peter Marsh of the BBC called the music "stunning," and commented: "Rogers' vocabulary is huge and his facility pretty incredible... His tone is rich, punchy and resonant, and the lovely recording gives the bass a warm, physical presence that still has ambience...

Listen is a tour de force of the first order; highly recommended to any fan of solo bass, but for those who simply enjoy hearing a master improviser at work, there's much to savour here.