A speaker can regulate their vocalizations, particularly their amplitude relative to background noise, with reflexive auditory feedback.
[21] A speaker can regulate their vocalizations at higher cognitive level in terms of observing its consequences on their audience's ability to hear it.
There is a development shift however from the Lombard effect being linked to acoustic self-monitoring in young children to the adjustment of vocalizations to aid its intelligibility for others in adults.
[22] The Lombard effect depends upon audio-vocal neurons in the periolivary region of the superior olivary complex and the adjacent pontine reticular formation.
Trained singers can resist this effect but it has been suggested that after a concert they might speak more loudly in noisy surroundings, such as after-concert parties.