Monsignor Lorenzo Perosi (21 December 1872 – 12 October 1956) was an Italian composer of sacred music and the only member of the Giovane Scuola who did not write opera.
Nobel Prize winner Romain Rolland wrote, "It's not easy to give you an exact idea of how popular Lorenzo Perosi is in his native country.
Gianandrea Gavazzeni made the same comparison: "The sudden clamors of applause, at the end of the [19th] century, were just like those a decade earlier for Mascagni.
His father was Giuseppe Perosi (1849–1908), Maestro di Cappella (Choir Director) of Tortona Cathedral and one of Italy's most prominent church musicians.
Giuseppe was the first teacher of Lorenzo as well as his other two sons, Carlo (who became a priest and then a cardinal) and Marziano (who was Maestro di Cappella at the Duomo of Milan from 1930 to 1949).
In 1890, 18 years old and still a student, Perosi obtained his first professional post: organist and "teacher of the piano novices" at the Abbey of Montecassino.
The Renaissance polyphony he learned from Haberl, and the Gregorian chant he studied in Solesmes were the two pillars upon which the entire oeuvre of Perosi rested.
In 1898, Cardinal Sarto used his influence with Pope Leo XIII to get Perosi the post of Maestro Perpetuo della Cappella Sistina, or Perpetual Director of the Sistine Choir, in Rome.
[8] In fact, the very next year, 1923, Perosi had fully resumed his administrative and compositional activity; in the last decade of his life, he also maintained a busy conducting schedule.
Caruso sang his music, as did Sammarco, Tagliabue, Gigli, and other great singers from that era, and also quite a few in modern times, such as Fiorenza Cossotto, Mirella Freni, Renato Capecchi, and fellow Tortonese Giuseppe Campora.
While the works can seem slow-paced today, at the time they were quite novel not only for their fusion of Renaissance polyphony, Gregorian chant, and lush, Verismo melodies and orchestrations, but also for Perosi's deep-seated faith in the words that he had set.
"[14] Perosi was succeeded as director of the Sistine Choir and Papal musician by his assistant, monsignor Domenico Bartolucci (born Borgo San Lorenzo, May 7, 1917 - 11 November 2013) in 1956, who remained at this post until 1997.
Bartolucci, who was rehabilitated in 2006 under Pope Benedict XVI, was harshly critical of Perosi, whom he blamed for the deterioration of Church music.