[1][2][3][4] The group's fourth studio album, it was the first by a new line-up that included Simon House on synthesizer, Mellotron and electric violin; absent were Robert Calvert, who had previously contributed lyrics, vocals and spoken word interludes, and Dik Mik, who provided electronic effects.
[7] The record featured hard rockers like "The Psychedelic Warlords (Disappear in Smoke)" and "Lost Johnny" (subsequently recorded by bassist Lemmy's post-Hawkwind band Motörhead and also by co-writer Mick Farren with his band The Deviants), psychedelia such as the heavily phased "D-Rider" and "Web Weaver", as well as quieter atmospheric numbers like the instrumentals "Goat Willow", "Wind of Change" and the title track.
Side two of the original vinyl LP was bookended by "You'd Better Believe It" and "Paradox", live tracks recorded at the Edmonton Sundown in January 1974, that recalled the 'space jams' of earlier releases.
In the wake of Robert Calvert's departure, lead vocals for the album were performed by Dave Brock, along with Lemmy on "Lost Johnny" and Nik Turner on "D-Rider".
Del Dettmar left prior to the release of Hall of the Mountain Grill to live in Canada, and Alan Powell joined as an additional drummer.
After the release of the successful live album Space Ritual and single "Urban Guerrilla" in 1973, vocalist Robert Calvert and electronics player Dik Mik Davies left, leaving the group as a five-piece.
[10] The group continued touring heavily around Britain and Ireland from December into February under the banner "The Ridiculous Roadshow with the Silly Hawkwind Brothers".
The group returned to North America a second time for a more comprehensive tour consisting of 22 dates in March and April under the banner of "1999 Party", taking their entire entourage with them including dancer Stacia, MC and DJ Andy Dunkley, a lightshow by Jonathan Smeeton (Liquid Len) and support from United Artists Records label mates Man.
Returning to England, the band went to Clearwell Castle to rehearse,[12] then entered Olympic Studios to record this album in May and June, with help from producers Doug Bennett and Roy Thomas Baker.
However, drummer Simon King had cracked some ribs playing football, prohibiting his participation, so nominated his friend Alan Powell to deputise for him on the dates.
Though they were critical of the title track, AllMusic called Hall of the Mountain Grill "The band's best studio album" and "the quintessential guitar-oriented space rock record".