[1] Along with painting, Tauzin had a highly successful career as a commercial artist, eventually becoming chef d'atelier (head of studio) at Champenois, one of the most prominent chromolithography houses in Paris.

[1][2] He produced many posters in lithographic format for railway companies, vacation destinations, various major brands, and the publisher Éditions Rouff [fr].

From 1905 to 1912, he provided humorous cartoons for the periodical L'Enfant, published by the Société Protectrice de l'Enfance (child protection society).

Fiercely anti-German and pro-French during World War I, Tauzin drew the masthead art and wrote a regular column for the periodical L'Antiboche and made drawings for a series of propaganda postcards published 1914–1916.

In the last year of his life, Tauzin split his time between Paris and a villa called Les Bessons outside the town of Royan on the French Atlantic coast.

Shortly after writing his last column for L'Antiboche, published August 15, 1915, Tauzin set about hanging a rope at the well at Les Bessons.